妮基塔2

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热门漫画《墨黑心》联合创作者伊迪·莱德韦尔慌慌张张地闯入私家侦探罗宾·艾拉科特的办公室。她说一个在网络世界化名“失范”的神秘人物，在网络的阴暗角落里，肆意败坏伊迪的名声，将她的私人信息公之于众。不仅如此，漫画原本顺利推进的电影改编项目，也因“失范”的搅局而岌岌可危。伊迪满心期望罗宾所在的事务所能成为她的救星，帮她揪出这个隐藏在虚拟网络背后的神秘黑手。但罗宾综合考量事务所的实际情况，无奈地拒绝了伊迪的请求。没过几天，伊迪竟在《墨黑心》故事的灵感起源地海格特公墓，惨遭电击致死。罗宾出于对真相的执着和内心的愧疚，与商业伙伴科莫兰·斯特莱克毅然决定携手调查这起错综复杂的案件，誓要揭开“失范”的真实面目。

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　　十年前的一场残酷的细菌侵袭灭绝了斯堪的纳维亚的绝大多数人口，一对年轻兄妹开始了一段寻觅安全处所的旅途。兄妹二人唯一的向导是父亲的日记本，里面记录了细菌与新世界的危险。他们加入其他年轻幸存者的行列，开始了险象环生的跨境之行。面对致命灾难，这帮人必须迅速意识到，最大的危险并非来自外界，而是来自内部。

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Cida loses her 11-year-old son, Sushi to police violence. Edna is the mother of Digão the policema

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Billie Piper带着她的“秘密日记”回来了！去年，《应召女郎的秘密日记》在英国ITV电视播出时，创下了两百万的收视记录，现在第二季又将乘胜追击，为我们带来更多应召女郎的甜酸苦辣。本剧（Secret Diary of a Call Girl）改编自一名自称“白日美人”（Belle de Jour）的性工作者的博客“白日美人：一位伦敦应召女郎的日记”（Belle de Jour: diary of a London call girl），讲述了一名应召女郎两面生活：面对家人，她是 Hannah（Billie Piper饰演），一个做着无聊甚至无人愿意提及的工作的法律秘书；面对各类客人时，她是Belle（Billie Piper饰演），或冷艳或妩媚或可人或羞赧的高级娼妓。故事紧接第一季结尾，现在Belle已经成为了高级独立应召女郎。她无意中结识了Bambi（Ashley Madekwe饰演），这个聒噪粘人的女生立志成为一名应召女郎，Belle不得不担任起导师的重任。同时，由于最好的也是唯一的朋友Ben离去，无处倾诉的Belle只能忘情于工作之中。然而，机缘巧合下结识的英俊医生Alex，却让Belle不得不面对人生最大的难题——如果应召女郎坠入爱河，她是否仍能为钱而性？

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人类行为大师终于遇到了他的对手，他的行为是无法预测的。

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　　天不怕地不怕的年轻贵族“疾如风”艾琳·布兰特小姐（米娅·麦肯纳·布鲁斯 饰），在老家着手调查挚爱遇害的命案。随时都有意想不到的发展，疾如风小姐必须与时间赛跑，揪出真凶。
　　该剧改编自阿加莎·克里斯蒂的小说《七钟面之谜》。

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　　Morse is taken seriously ill at a museum reception and is hospitalized. In the hospital, Supt. Strange, visits Morse to push him to take early retirement, while Dr. Millicent 'Millie' Van Buren gives him her book on a 140 year-old court case known as the Oxford Canal Murders. The case involved the murder and rape of a young woman, Mrs Joanna Franks, traveling by canal boat from Coventry to London. The case resulted in three boatmen being sentenced to death and two of them hanged. Morse starts to read Millie's book and dreams about it. He soon has a number of problems with the case.
　　Why weren't the three men also charged with theft? Why did Mrs Franks take a boat instead of a train that was much faster and comfortable and only slightly more expensive? Why didn't she abandon the boat after she complained about lewd behavior of the crew at the shipping office in Banbury? Why did she then drink and 'socialise' with the crew? What happened to her 'carpet bag' with which she arrived on the boat but which was not mentioned in the court case, nor was it stored in the archives with her, almost empty, trunk? The trunk was marked with initials of her first husband who had died. How did it happen that her shoes were found on the boat but nobody saw her return to the boat from the forest?
　　PC Adrian Kershaw does some brilliant leg work for Morse. He studied history and has invaluable background knowledge. For instance, he mentions that the boatmen had bad reputation because they worked on Sundays and did not attend church. Later a chapel was built for them in Oxford.
　　The dead woman's clothes and the shoes found on the boat are submitted to modern forensic investigation. The result is that the shoes did not belong to the dead woman found in the water because she was much taller.The shoes were never used in the forest.
　　Only Mrs Franks' husband, Charles Franks, was called to identify the body of the dead woman. He claimed that, while her face was darkened and disfigured, he found a birth mark behind her ear. The prosecutor welcomed that information "that only a husband or a lover would know". The accused were not shown the body. The defense attorney merely claimed that the guilt of the three men was not proved. All three accused claimed to the end that they were innocent. One of them was not executed because he embraced Christianity in prison.
　　Morse instructs Kershaw to investigate if Charles Franks benefited from his wife's death and, indeed, he pocketed 300 pounds insurance money. Case closed: Charles Franks murdered a tall women and dropped her in the canal after meeting Joanna in the forest. If Joanna Franks jumped off the boat at the same time as the dead body hit the water, she swam to the bank and joined her husband. The couple changed their names, in the case of 'Charles Franks' a second time after he 'died' as Joanna's first husband. The fourth boatman, a youngster who was not charged, was probably paid by Joanna to give false testimony.
　　Morse travels to Ireland and has a grave of Joanna's first husband exhumed. The coffin contains bags of sand and some stones.

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Freeform宣布预订Lonely Island创作的喜剧《一起单身的日子 Alone Together》，Esther Povitsky和Benji Afalo将担任主演，同时也担任编剧和制作

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　　该剧围绕两名新手侦探展开，他们被派往充满神秘色彩的峰区地区进行调查：刚搬到该地区的戴安娜·弗莱，以及在这个小村庄里生活了一辈子的本·库珀。

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《星际迷航下一代》(简称TNG)是《星际迷航》系列的第2部剧集，台湾翻译为《银河飞龙》，于1987-1994年共播出了7季。该剧讲述的是在24世纪，《星际迷航原初系列》(简称TOS)的八十年后，Picard舰长率领企业号D继续探索太空的冒险故事。　　每一集的开头都有这样一段话：「宇宙，人类最后的边疆，这是星舰企业号的旅程，它所持续的使命，是为了探索陌生的新世界，寻找新的生命及新的文明，勇敢地航向那前所未至的宇宙洪荒。」　　这段话和「原初系列」的版本并没有太大的差别，为了更强调银河中有许多不同的人种，「man」也改成了用　one　代替，不光指地球人类。　　由于电影第四集「抢救未来」最后出现了企业号A (NCC-1701-A)，「TNG」的企业号编号改为现在大家熟悉的 NCC-1701-D，一直到现在，只有企业号的编号是维持不变，后面再挂上字母的，这是企业号的特权，其它星舰在不同时代即使有重复的名称，也不会有相同的编号。　　星舰企业号D的舰长是Jean-Luc Picard，副舰长是William Riker，制片人Gene Roddenberry希望由女性来担任安全官以表示未来男女平等，Tasha Yar的角色诞生，后来又加入两个女性角色，顾问 Deanna Troi和医官 Beverly Crusher，另外还有一个天才少年Wesley Crusher。为了纪念一位美国众所皆知于 1975 年过逝的眼盲星舰迷George La Forge，Gene Roddenberry创造出一个眼盲的角色－－ Geordi La Forge。接下来是一个生化人的角色－－ Data，他是企业号的科学官。 最后一个角色 Worf，作为一名克林贡人加入了星际联邦代表着昔日的敌人已成为今日的盟友，在冷战时代是个很有意义的角色。

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纽约警察和检察官的故事，跨越15个春秋，1990年首播，至今仍受到亿万观众瞩目的长剧。 　　law & order第55届艾美奖最大的遗憾，已连续11年入围剧情类最佳电视剧奖提名的这部热门电视剧，这次却意外地未被提名，粉碎了它原本想要缔造的12次提名新高。 　　本片融警匪与法庭于一体的电视剧，片中讲述的犯罪基本原于真实生活，往往是近期报纸上的头条新闻。节目分为两部分，上半部分介绍警察研究现场，征询证人，提审嫌疑犯等一系列的侦破活动，后半部分详尽记录了案件侦破的后期工作，案件转交到检查官手里，检查官衡量案情，起诉，直到庭审，节奏紧凑，扣人心弦。由于最终坏人不一定被绳之于法，所以观众看的时候往往暗自捏一把汗。 　　这个剧集除了已经播出的15季之外，还包括3个特别的系列，一个是 　　Special Victims Unit 系列（6季），一个是Criminal Intent 系列（4季），和Trial By Jury 　　系列。可见其火爆程度。堪称NBC历史上，乃至美国影史上最宏伟的剧集。 　　"In the criminal justice system, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are there stories. " 　　这是Law & Order十四年如一日，也是我百听不厌的开场白，是以Law & Order franchise(包括spin-off的SVU)都兼有探员的办案过程跟检察官在法庭上的滔滔雄辩，这二者相互分庭抗礼成为Law & Order奠定其cop drama之教父地位的独特魅力，但是近来每回看Law & Order，都彷彿只是在等待后半小时的法庭戏上，也不是说前面的办案就不精采，但是总要在进入起诉过程中才显出本剧的成熟、世故，细腻精妙处的炉火纯青；一男一女老少两位检察官的不同考量而激盪出的互动、辩证，起诉的战略方针往往不只是黑白分明的司法正义考量，而牵扯到背后司法制度及其偏狭漏洞、细微的政治空气，Law & Order更不只是关在摄影棚里编造天马行空的离奇案件，它每回总是不犹疑地定睛盯上社会中的敏感命题。 　　 　　Law & Order: 和L&O: SVU一样，是Law & Order家族的老大，Wolf Dick的作品。个人觉得它有点像一个drama版的今日说法，当然Law & Order要好很多。Law & Order的最大卖点是它的order部分。看order部分对美国criminal law和criminal procedure law有很大的了解。

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